His son Alec confirmed his death, The Associated Press reported.
Mr. Lom gained more attention as a reliable character actor than as a
suave leading man, although he was both. His deep-set, mesmerizing eyes
made him the perfect villain in a series of minor films in the early
1940s, and he went on to excel after World War II
and in the 1950s and ’60s in small roles in a variety of genres. In a
career of more than five decades he appeared in more than 100 movies and
television shows.
Born Herbert Charles Angelo Kuchacevich ze Schluderpacheru in 1917 to
upper-class parents in Prague, he became a theater actor and made one
movie in his native Czechoslovakia before emigrating to London in 1939,
just before the Nazis invaded (and shedding more than 40 letters from
his name along the way). His parents survived and later joined him in
London, but his girlfriend died in a concentration camp.
He began his English-speaking acting career at the Old Vic and other
stage companies before landing some impressive film roles, thanks to an
appealingly exotic accent and a sultry gaze. From the outset he was able
to avoid being typecast as the lecherous but irresistible villain,
unlike many other European actors who went to Hollywood in the 1940s.
Mr. Lom’s first major Hollywood successes were “The Seventh Veil”
(1945), in which he played a psychiatrist treating the suicidal young
cousin of a crippled musician played by James Mason, and Jules Dassin’s
noir masterpiece “Night and the City” (1950), in which he played a
chilling but remorseful gangster.
But he flourished in comedy as well — notably alongside Peter Sellers and Alec Guiness in “The Ladykillers”
(1955) and later as the twitchy, long-suffering Chief Inspector
Dreyfus, who is eventually driven insane by Sellers’s bumbling Inspector
Clouseau. He played Dreyfus in seven “Pink Panther” movies, from “A
Shot in the Dark” (1964) to “Son of the Pink Panther” (1993), which was
made 13 years after Sellers’s death and starred Roberto Benigni as
Clouseau’s son.
Mr. Lom also co-starred with Robert Mitchum and Rita Hayworth in “Fire
Down Below” (1957) and played a hoodlum on the make in prewar London in
“No Trees in the Street” (1958). He played Napoleon Bonaparte twice, in
“The Young Mr. Pitt” (1942) and in King Vidor’s ambitious “War and
Peace” (1956). He appeared in epics — as a pirate who leads the slaves
out of Italy in “Spartacus” (1960), and as the Muslim leader Ben Yussuf
in “El Cid” (1961) — and in horror movies.
Mr. Lom had the title role in a not very successful remake of “The Phantom of the Opera” (1962);
he was Van Helsing in “Count Dracula” (1970), one of many movies
starring Christopher Lee as the notorious vampire; and he played a
bloodthirsty witch hunter in 18th-century Austria in the ultra-gory
German-made “Mark of the Devil” (1972), which developed a cult following
for its explicit torture scenes; audiences were handed “stomach
distress bags” at cinemas around the world.
Onstage, Mr. Lom originated the role of the king in the original London
cast of the musical “The King and I” in 1955. On television, he appeared
in the British series “The Human Jungle” in 1963 and 1964 and on “The
Man From U.N.C.L.E.” in 1967.
His two most notable films in the 1980s were “Hopscotch” (1980), a spy
spoof with Walter Matthau and Glenda Jackson, and David Cronenberg’s
“Dead Zone” (1983), in which he played a neurologist to a telekinetic
patient, played by Christopher Walken.
Among the low points of his career was his performance in the disastrous
1985 remake of “King Solomon’s Mines,” which earned him a nomination
for a Razzie Award, given to the worst that Hollywood has to offer. He
had few roles after the 1980s; his last on-screen appearance was a 2004
episode of the British TV series “Marple.”
Mr. Lom also wrote two historical novels, “Enter a Spy: The Double Life of Christopher Marlowe” and “Dr. Guillotine: The Eccentric Exploits of an Early Scientist,” set during the French Revolution, which was optioned as a movie but never made.
Famously private and reclusive for most of his life, Mr. Lom was married
and divorced three times. Besides his son Alec, survivors include a
daughter, Josephine, and another son, Nick. “You know, I always do my
best, no matter the quality of the film,” Mr. Lom once told an
interviewer. “One thing I hate is when directors come to me before
shooting a take and say, ‘Herbert, give me your best!’ And I think: ‘But
it’s my job to give my best. I can’t give anything else.’ ”
From The New York Times
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